Dedicated to sharing from the heart, that which is made with the hands and considered a true gift from heaven.
Tuesday, June 15, 2010
Kimono 2010
Finally the Kimono Quilt is finished and I am pleased. I have visions of another one in my head and will have to plan it out carefully as I will carry it further than I did on this one. I loved the actual piecing and final constructing of the blocks and must admit that I discovered a nice way to border a quilt and have it hold it's shape at the same time.
I hand basted as shown below, then decided to cut the borders back to 2.5" and basted them down. I then added a braided upholstery trim to the front, carried it to the back and tacked it down. It makes a very nice finishing edge. I did the same for the kimono collar.
I am setting aside the ribbons and fabrics that I had intended to use to skirt this one for a future quilt along with some drawings, but must finish some more UFOs that are as large as this and need to be done.
I hand basted as shown below, then decided to cut the borders back to 2.5" and basted them down. I then added a braided upholstery trim to the front, carried it to the back and tacked it down. It makes a very nice finishing edge. I did the same for the kimono collar.
I am setting aside the ribbons and fabrics that I had intended to use to skirt this one for a future quilt along with some drawings, but must finish some more UFOs that are as large as this and need to be done.
Saturday, June 12, 2010
Silkribbon Pillow with design ideas for first sashing on kimono quilt.
On the sides of the above quilt I had wanted to add some dimensional flowers and wanted to audition some floral sprays that I felt would work.
I also find that rather than wasting the thread and fabric that a large gorgeous pillow could result if I were fortunate enough to carry the design through, as it was one I had wanted to try for some time. It is not an orginal.
I am very pleased with the coloour of the background, the tlace and the threads as well as the silk ribbon used in the design.
I will use this design with a sweeping type of design down the sides of the kimono quilt in the style of chery and peach blossoms to accent the quilt, just not sure how much of it to work, and if I will fill inthe background with a darker silk or not, but I have won in two ways I have a pillow that will be about eighteen inches squared, to be edged with braid and have a large flouce and done the block of my dreams from a pattern by a desugber in an issue of Embroidery and Cross Stitch.
Victorian Boquet Of roses and daisies.
This is an original design using colours from a kit that I received from Ribbonsmyth. It was for a basket of flowers and I changed it to meet my own personal design as I love big boquets, baby's breath, fern and beads. The little butterfly passed his audition and will stay. this will be a frilly pillow aboout twele inches square with a double ruffle of lace and fabric.
Brazilian Embroidery kits to date
I highly recommend these kits from Edmar to anyone wanting to learn this beautiful artform. This is my first attempts at this art form and how I wish the threads were more readily available in my area but I can order them on line. They are so lovely to work with. I want to thank those who encouraged me to persue this artform.
Christening dress for 2010
This christening dress has taken over a year of working off and on to create and is a true labour of love. The full skirt is a true full pleated circle when set out
The hat is an exceptional and pleasant way to create a bonnet that looks both vintage and very modern,....the self gathers of lace at the front and the ruffle on the top set if off beautifully.
Labels:
Christening Gown - crocheted,
Heirlooms
Kimono Quilt
While I would like to post pictures of how far I have come with my quilt I am holding back as I have found it difficult to go further.
Yesterday I added six inch silk borders around the "T" shaped quilt and put a collar on. I had originally wanted to add pleated flowing skirts of silk from the edges and after it was laid out changed my mind over and over again. Now I have decided that I will wait and see as I can always add them later and make them truly a skirted edge.
I also wanted to silk ribbon embroider a floral arrangement similar to cherry or peach blossoms around the exterior as if they were falling from branches and add some small items such as little birds etc., but not sure what I should do at this stage as it is a wall quilt. It is very heavily encrusted.
The original pattern belongs to a quilt block of a month series from Victoria Adams Brown of http://www.ribbonsmyth and it was so beautiful to work with. I received mine as a gift and I worked on it for more than two years to make all of the work my own as well as taking the ideas and instructions from the wonderful handouts that Vicki added with each block.
I decided that I did not want this to stretch so used warm and natural batting behind it and to date have tacked it with long running stitches every two inches so that it does not move and will now proceed to think of how I truly want to finish this quilt. I have felt wonderful working on it and did most of the work on a fold out fabric board over my ironing board so that I could bring the quilt to my level.
I have decided to use a small oriental inspired bead or miniature butterflies to secure all of the blocks so that they do not move around. I can do this from the front and have it go through all layers as I have enough of the silk left to back it with. I chose a fawn beige silk that has some stiffness to it and it does bring out all of the colours. I was first going to use black.
After perfectly mitering the inner corners under the arms I am tempted to now go in and add a piece of fabric to bring it out to the arms edge, perhaps in a darker brown, and this would allow the break that I want to make the kimono look like it is walking in through a door.
I will lay the whole quilt onto the dark silk and see what it looks like. This has now given me more ideas on how I would finish blocks that do not belong to any set pattern and are all stitched and sitting in a safe box in my sewing stash.
I am proud to say after almost eleven years of doing blocks I finally have a quilt that will have all of my own work in it. I also have a collection of oriental fabrics that will go into a fan quilt that will not be as decorated as this one as I want to be able to drape it so heavy encrusting would be out of the sorts, and I do want it to be all mine with seams done in the " Carole Samples " style of quilting. I also draw inspiration from J. Marsha Michler books as well as my books from all of the quilting artists out there.
A special bouquet to Sharon B., Allie in Stitches, Jo in NZ, for trying to make us the best at what we do and, of course, to my mentor Vicki whose choice of colour and design have taken me from upholstery fabrics to silk.
I will share some before pics and then add the others as the day progresses.
Yesterday I added six inch silk borders around the "T" shaped quilt and put a collar on. I had originally wanted to add pleated flowing skirts of silk from the edges and after it was laid out changed my mind over and over again. Now I have decided that I will wait and see as I can always add them later and make them truly a skirted edge.
I also wanted to silk ribbon embroider a floral arrangement similar to cherry or peach blossoms around the exterior as if they were falling from branches and add some small items such as little birds etc., but not sure what I should do at this stage as it is a wall quilt. It is very heavily encrusted.
The original pattern belongs to a quilt block of a month series from Victoria Adams Brown of http://www.ribbonsmyth and it was so beautiful to work with. I received mine as a gift and I worked on it for more than two years to make all of the work my own as well as taking the ideas and instructions from the wonderful handouts that Vicki added with each block.
I decided that I did not want this to stretch so used warm and natural batting behind it and to date have tacked it with long running stitches every two inches so that it does not move and will now proceed to think of how I truly want to finish this quilt. I have felt wonderful working on it and did most of the work on a fold out fabric board over my ironing board so that I could bring the quilt to my level.
I have decided to use a small oriental inspired bead or miniature butterflies to secure all of the blocks so that they do not move around. I can do this from the front and have it go through all layers as I have enough of the silk left to back it with. I chose a fawn beige silk that has some stiffness to it and it does bring out all of the colours. I was first going to use black.
After perfectly mitering the inner corners under the arms I am tempted to now go in and add a piece of fabric to bring it out to the arms edge, perhaps in a darker brown, and this would allow the break that I want to make the kimono look like it is walking in through a door.
I will lay the whole quilt onto the dark silk and see what it looks like. This has now given me more ideas on how I would finish blocks that do not belong to any set pattern and are all stitched and sitting in a safe box in my sewing stash.
I am proud to say after almost eleven years of doing blocks I finally have a quilt that will have all of my own work in it. I also have a collection of oriental fabrics that will go into a fan quilt that will not be as decorated as this one as I want to be able to drape it so heavy encrusting would be out of the sorts, and I do want it to be all mine with seams done in the " Carole Samples " style of quilting. I also draw inspiration from J. Marsha Michler books as well as my books from all of the quilting artists out there.
A special bouquet to Sharon B., Allie in Stitches, Jo in NZ, for trying to make us the best at what we do and, of course, to my mentor Vicki whose choice of colour and design have taken me from upholstery fabrics to silk.
I will share some before pics and then add the others as the day progresses.
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